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Georges Braque - Wikipedia, the free encyclopedia. Georges Braque. Georges Braque, 1. Gelett Burgess, The Wild Men of Paris, Architectural Record, May 1.
Born(1. 88. 2- 0. May 1. 88. 2Argenteuil, Val- d'Oise. Died. 31 August 1. Paris. Resting place. Saint- Marguerite- sur- Mer, Normandy. Nationality. French.
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Known for. Painting, Drawing, Sculpture, Printmaking. Movement. Cubism, Fauvism. Patron(s)Fernand Mourlot.
Georges Braque (; French: . His most important contributions to the history of art were in his alliance with Fauvism from 1. Cubism. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso. He grew up in Le Havre and trained to be a house painter and decorator like his father and grandfather. However, he also studied artistic painting during evenings at the .
In Paris, he apprenticed with a decorator and was awarded his certificate in 1. The next year, he attended the Acad.
It was here that he met Marie Laurencin and Francis Picabia. At least four versions of this scene were painted by Braque, one of which was stolen from the Mus. The Fauves, a group that included Henri Matisse and Andr. Braque worked most closely with the artists Raoul Dufy and Othon Friesz, who shared Braque's hometown of Le Havre, to develop a somewhat more subdued Fauvist style. In 1. 90. 6, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint.
The same year, Braque's style began a slow evolution as he became influenced by Paul C. He conducted an intense study of the effects of light and perspective and the technical means that painters use to represent these effects, seeming to question the most standard of artistic conventions. In his village scenes, for example, Braque frequently reduced an architectural structure to a geometric form approximating a cube, yet rendered its shading so that it looked both flat and three- dimensional by fragmenting the image. He showed this in the painting Houses at l'Estaque. Beginning in 1. 90.
Braque began to work closely with Pablo Picasso who had been developing a similar proto- Cubist style of painting. At the time, Pablo Picasso was influenced by Gauguin, C. Picasso celebrates animation, while Braque celebrates contemplation. These artists were the style's main innovators.
After meeting in October or November 1. Both artists produced paintings of monochromatic color and complex patterns of faceted form, now termed Analytic Cubism. A decisive time of its development occurred during the summer of 1. In 1. 91. 2, they began to experiment with collage and Braque invented the papier coll. He described it as 'full of little cubes'. The term 'Cubism', first pronounced in 1.
Salon des Ind. Art historian Ernst Gombrich described Cubism as . In May 1. 91. 5, Braque received a severe head injury in battle at Carency and suffered temporary blindness.
It was like being roped together on a mountain. Later work. Working alone, he began to moderate the harsh abstraction of cubism. He developed a more personal style characterized by brilliant color, textured surfaces, and.
He painted many still life subjects during this time, maintaining his emphasis on structure. One example of this is his 1. Blue Guitar, which hangs in the Allen Memorial Art Museum. Braque, along with Matisse, is credited for introducing Pablo Picasso to Fernand Mourlot, and most of the lithographs and book illustrations he himself created during the 1. Mourlot Studios. In 1. Braque worked with master printmaker Aldo Crommelynck to create his series of etchings and aquatints titled L. He is buried in the cemetery of the Church of St.
Valery in Varengeville- sur- Mer, Normandy whose windows he designed. Braque's work is in most major museums throughout the world. Braque believed that an artist experienced beauty . Braque explained that he . This is what led me, long ago, from landscape to still- life.
Braque's early interest in still lifes revived during the 1. During the period between the wars, Braque exhibited a freer style of Cubism, intensifying his color use and a looser rendering of objects. However, he still remained committed to the cubist method of simultaneous perspective and fragmentation. In contrast to Picasso, who continuously reinvented his style of painting, producing both representational and cubist images, and incorporating surrealist ideas into his work, Braque continued in the Cubist style, producing luminous, other- worldly still life and figure compositions. By the time of his death in 1. School of Paris, and of modern art.
The paintings taken were Le pigeon aux petits pois (The Pigeon with the Peas) by Pablo Picasso, La Pastorale by Henri Matisse, L'Olivier Pr. Perl, Jed (2. 01. Pablo Picasso, a retrospective. New York: Museum of Modern Art. London: Phaidon, 1.
ISBN 0. 71. 48. 32. Ernst Gombrich (1. Art and Illusion, as quoted in Marshall Mc. Luhan (1. 96. 4) Understanding Media, p. The Look of Things: Selected Essays and Articles.
ISBN 0- 1. 4- 0. 21. Huffington, Arianna S. Picasso: Creator and Destroyer. ISBN 9. 78- 0- 7.
Allen Memorial Art Museum^Grimes, William (January 2. Highlights from the Graphic Arts Collection, Princeton University Library. Hewage, Tim (2. 0 May 2.
Retrieved 2. 0 May 2. Retrieved 2. 0 May 2. Retrieved 2. 0 May 2. Retrieved 2. 0 May 2. The Art of Georges Braque.
Abrams, Inc. Solomon R. Guggenheim Museum.
Picasso, P., Rubin, W. Pablo Picasso, a retrospective. New York: Museum of Modern Art.
ISBN 0- 8. 70. 70- 5.